January 6th, 2012

Stalking Elk magazine issue 4 – The Dream Issue

Hi all, it’s so nice to be back at the computer and able to type again.  I hope you all had a wonderful Christmas and New Year. I know, I am for one looking forward to saying goodbye to 2011 and embracing 2012 with open arms.
Christmas was a stressful time for me as I underwent some wrist surgery meaning a lot of projects got put on hold or in the case of my Christmas cards for 2011, got abandoned altogether which was a massive shame. On the upside at least I can continue from where I left off in the near future. One project I did however get to finish before the Christmas break was some collage illustrations for Stalking Elk Magazine.

front cover

Stalking Elk Magazine was started by friends, Kit Caless and Chris Smisson they state why they wanted to create this magazine on their website by saying “We make Stalking Elk so you don’t have to. No, that’s a lie. We make Stalking Elk because we want to create a magazine that makes you laugh and acts as a platform for writers and illustrators who don’t get an audience because the world is too damn serious. Everyone likes jokes but very few publications are willing to base their entire magazine on them. It’s something we’re really proud of and something we think is adding a positive contribution to people’s lives rather than existing in that negative space of the ironic ‘Nothing’. We’re not going to slag of other publications by name, but there’s only so much sneering and fashion crap we can take before reaching for the chainsaw and heading to Shoreditch on a decapitation binge.” So as you can tell the magazine is a very upbeat and funny publication.
What is also great about this mag is that it is printed and you can actually buy a physical copy, which I really like and it’s also great way to showcase some up and coming writers and illustrators like me.

So my illustrations were to accompany and article about a Dream Academy it was written by Peter William Taylor.  Below are my three illustrations, I chose to pick out parts of the article I found the funniest and this is what I arrived at.  To see larger versions of these images please visit my website at www.kareen.co.uk and go to the portfolio section.

final page

You can also support these guys and all the writers and illustrators who do this purely of their own backs for love by purchasing copies and back copies of the magazine from www.stalkingelk.co.uk or just check out the website to see what it’s all about.

October 31st, 2011

Happy Halloween

pumpkins dance

halloween

September 22nd, 2011

London Design Festival Review of the V&A

A couple of days ago my boyfriend was heading to London to take an exam and I thought I’d accompany him, deciding what better way to see a little of London’s Design Festival on my travels.  I left my boyfriend at the station and set off to South Kensington, where the V&A would be my main point of call for the afternoon.   I entered via the tunnels leading from the tube station and swiftly made my way through the gallery to the Cromwell Road entrance to see A_AL and Arup’s  “Timber Wave”. It was a stunning site. The arch of the wave engulfed the entrance and framed it with a soft golden coloured red oak.  The structure itself is very smart and is a feat of architectural genius employing techniques that are normally used for the creation of furniture.

design

On my way back through the gallery I picked up some promotional leaflets, some button badges (always cool) and a booklet telling of all the Design Festival activities going on around the city.  It was clear from my lack of time I would only be able to view a tiny percentage of what was happening and on display that day.  As I continued to peruse through the booklet I found a few other items inside the V&A I wanted to see so I decided to stay rather than go further afield.

One of the exhibits I wished to see was the V&A Illustration Awards. This was being shown on the third floor in the Modern room.  I set off to see this walking through the maze that is the museum seeing lots of other inspiring items on my way.

One detour I took whilst walking to the third floor was an exhibition about the humble pylon.  The National Grid created a competition for designers to find a new design for pylons. The show included scale models of all the possible pylons of the future. I thought this competition/exhibition was a great idea, although some might disagree having a “if it isn’t broke don’t try and fix it” attitude.  Pylons are very important structures and can be seen all over the country often in places of beauty. This new way of thinking might help spread awareness and improve the image of the pylon for years to come.

When I finally arrived at the illustrator awards room there were some lovely works on display, one of my favourites was Laura Carlin’s illustrations featured in Ted Hughes children’s book “The Iron Man”. I loved the way in which the works were hung, some of the rough images seemed to look cut out and placed right next to the final publication giving an insight into how the work might have come about.  I think this was a nice touch and helped the viewer feel connected to the illustrator by knowing some process behind the final works.  This was also the case with the writings that accompanied the artworks on display; they gave an excellent insight into the work.   The student runner up prize went to Hannah Simpson who studied at Kingston University, she created some stunning and very clever etchings.  The etchings explored the world of science and looked to petri dishes for inspiration, but Hannah’s etchings were like no other petri dishes as all the bacteria had been replaced by human forms.  Thus making the piece feel a little more sinister or maybe pointing at where we have all come from.   Other highlights of this exhibition included Olivier Kugler, whose work I have seen in many illustration publications throughout my time at University and her works have been used in my own research from time to time. It was great to see some of the work in the flesh, as it were.

petri

As the afternoon drew on my feet were aching but there was one more exhibition I had to see, and that was “The Power Of Making” housed right at the front of the gallery. I had previously walked past this exhibit as I headed to see the Timber Wave. The queue that was forming to enter was so long it had members of the gallery team steering it out of the way of oncoming visitors! After seeing The Illustrator Awards I hoped that maybe the queue had dispersed or at least might be shorter but this wasn’t the case and I found myself giving in to the age old English tradition and joining the queue because my curiosities about what was inside the exhibition got the better of me.  I love things that are made and I am still very fond of making things from scratch, it gives me a great sense of achievement when I am done making and making is often a way to get your own individual style on to items creating one offs, small runs or collections that maybe no one else will have or only a select few.

bear

As I joined the queue I could see into the exhibition, seeing snippets of wooden items and things hanging from the ceiling I couldn’t wait to get inside. There were the most amazing things in this exhibition and it was a great shame that no photographs were allowed, lucky I did have a pen and paper handy to write down a few names I thought were worth remembering.  Some of my favourites items included a full sized crochet bear, several 3D printers, dissected frog made from Lego, a tote bag grown in a laboratory, a shark made from tyres, and a bike covered in Swarovski crystals. This free exhibition was possibly one of the busiest and best I think I been to.

After leaving the V&A I stumbled across the Dutch Cabinet makers show “WhiteOut” just down the road and popped my head in briefly, there were some very uncomfortable chairs on display but beautiful none the less.  Feeling totally worn out and ready for some dinner I finished up my day by heading for Soho for some Tai food at Busaba with my boyfriend, highly recommended!! Good food at good prices!

September 14th, 2011

Fan Boy logo

Here are some of the roughs and the final logo I made for a fictitious on-line auction company. I used the idea of american fans at football or baseball games who often have those over sized foam hands, which are often waved around to show support for their favourite team.  Some of my other ideas involed images of auction hammers, electric fans and fan boys who follow a particular games console or brand closely.

fanboy_red
fanboy

September 14th, 2011

Dystopian City reconsidered

Recently I was contacted by Tasneem Patel a fine artist currently studying Contemporary Arts at the university of Huddersfield. Tasneem was interested in the Dystopian City work I conducted for my final year project and hoped to pursue the same subject for her dissertation.

She requested I anwser a few questions, this was a gret exercise for me and really got me reliving my old Uni project.

Tasneem decribes her work as the following: I want to emphasise the point where architecture can hold the expression of power in a city. How the sense of space, money and scale can challengingly cut the edge and commit insights into analysing the contemporary urban world. Within my experience to New York, I analysed the city from multiple perspectives which include, environment, sustainability, social movements, regeneration, race, class, gender, trends, culture, policy and various other factors. I want to express the idea of capitalism and the disposability’s of the art object; I have done this by creating an abstraction by etching a series of shapes, lines and structure which progresses and grows until it reaches the sky line.

Here are the questions posed and their answers: In terms of the context of our current environment, what is your vision of the ‘dystopian city’ in the future?

What do you think of my dissertation question? This question poses some interesting questions and answers; what do I consider a dystopian state. I guess this depends on whether I am thinking about what others describe it as or as what it could mean to me personally; what dangers I think are lurking under the surface. When I first think of a dystopian city I tend to think of the science fiction world, where things are all minimalist clean and clinical, where people and items are tightly controlled and monitored and science always seems to be improving, pointing to weakness or relinquishing it completely. In our current environment I think that many things related to general everyday life can be considered dystopian for example travelling around using busy transport lines or even in our own car we are controlled by our movements and there are many rules and regulations to follow, we are often in danger despite of these. I think that cities and built up areas are dystopian they are busy, overcrowded and dirty causing unhappy inhabitants.

What is your perception of a ‘dystopian city?’ Dystopian cities to me are places that are crowed and busy with many office buildings and dwellings that are too small, bright and cause us to feel stressed and unhappy being inside of them.

Do you think this will affect the future? If so, how? I know that people adapt to this lifestyle as our cities in the UK are grossly over populated and these cities are the heart of commerce. In terms of control over people I hope that people will still value their human rights and democracy and stand up for what they believe in. Living in a dystopian city is what we do especially in the eyes of some of the earlier writers. One common example being Orwell’s writings in 1984; his vision of the telescreen, which would be present in every living room is of course already true to a point.

Do you think it will have an effect on contemporary art? I think this subject will be present in modern art for all time, as people are intrigued by the future and what it holds for us. We are always looking to new technology and science to improve our lives and there will always be people who will be against this and are scared of the repercussions of these things. I think this psyche is what the artists tap into with regard to their work and why they make it.

Do you think it will have an effect on work produced by artists? I’m not sure what effect it will have on artists work, I guess it depends on whether they are relating to their environment in a positive or negative way. If we look at the work of others we can tell control is a key part in dystopian cites and this in the future may not allow for artists to express themselves fully, or at all, depending on what we are allowed to do in our own environment. Nowadays we are not allowed to express ourselves artistically on the street in public, for example graffiti or street art is greatly frowned upon by the government to the point of arrest if caught.

Do you know of any artists whose work is related to the idea of the dystopian city? Some important writers include George Orwell, Aldous Huxley and Phillip K Dick

Are there any philosophers or theorists or any other sources that look at this topic? Plato, his writings concentrate on the government.

What is your definition of our current environment? Built up areas/transport vehicles everywhere including trains cutting though the landscape/ high rise buildings and bustling places, crowed shopping centres and high streets/signage everywhere and barriers dividing us off from places/office spaces which are all white and show no personality. Politics surrounding the city control measures and restrictions/supermarkets that open all day long.

Do you think this has an impact on work produced today? Yes I think so as artists will always look to show the city as people dwell in them, they surround them. Artists take inspiration from the things that are around them or are changing around them.

What do you think will cause the dystopian city in the future? Causes in the future – I think issues surrounding power and repression of the people which cause unrest and the increased growth of the environment around us as it gets more crowed and made of concrete.

Do you think more artists will look upon this topic? Yes I think more artists will look at this subject mainly to express their own personal feelings toward their environment, maybe also to explain fears of the future or warn of things they might find distressing.

If you were to generate art work related to this idea of the dystopian city in the future, what would you create? I really like the subject matter; I would make more work surrounding the sprawling cites in the UK and other countries as well as transport systems plus the control and flow of movement around the city. I would use collage and drawing as these are the mediums I like to use, however I think a film made as a collage might work very well and this is something I have never done.

What is so significant about what one of the theorists/ philosophers/ artists have to say? Speaking of film, the film maker Godfrey Reggio was a great influence for me as his film Koyaanisqatsi was based around the city growing increasingly larger and busier. To watch the film becomes very unsettlingly but it really is no different from living such a fast-paced lifestyle in the city. The film consists of slow motion and time-lapse film footage taken in different cities in the United States. The film looks to show us the direct link between humans and their environment from the outside world to the inside. It has images representing technology’s invasion into the natural world and humans interacting with technology on a daily basis; phones or computers for example.

Dystopian views are probably most prominent in film making and one of the most popular dytopian films is possibly Blade Runner by Ridley Scott, not long ago it made an appearance on Creativepool.co.uk blog reminding everyone of Syd Mead a very talented gentleman. read more about Syd Mead on the article herehttp://blogs.creativepool.co.uk/blog/blade-runner-syd-mead-and-visual-futurism/

September 14th, 2011

Brat and Suzie on Dragons’ Den

Recently in the world of social media there has been a lot of discussion surrounding the world of freelancing, especially being an Illustrator as a professional.  It has been known for a while that the creative industry is suffering from a lack of funds and it seems that as time goes on, respected companies dealing with the creative sector seem to think it is okay for artists of all kinds to offer up their services and hard work for little or no money.

One of the most interesting articles I have come across recently on this subject is this http://bentheillustrator.tumblr.com/ written by Ben the Illustrator. He has himself set up his own site The Mighty Pencil where illustrators and artists have a safe place to promote their work where they will not be exploited.  You can find out more about this site by visiting it here http://themightypencil.tumblr.com/ to see some of the best illustrators practicing today.

Now I am not saying that working for free is always a bad thing; to gain work experience through schemes such as internships for example are not totally worthless either. I for one have taken part in an internship just after my degree and although my internship lasted six weeks which is a relatively short amount of time compared to others, I was kindly paid travel expenses and accepted a free lunch everyday. My expenses were higher than normal as I had to travel an hour by train into London and I felt this was a fair deal. Overall I found my internship helped me gain a better understanding and insight into how the industry happens on a day-today basis, which I never would have experienced if all I had done was stayed at home and looked for work online.

However there are many internships offered that appear to have no benefits at all to the person and do not point to any further permanent paid employment with the company involved or guarantees that it will help the candidate in the future find the job they desire.

I have been starting to read articles that the Government and many local MP’s are now supporting this new way of thinking and are looking to force companies to offer internships paying participants at least minimum wage.  There is an interesting article on the Guardian Blog posted February 2010 discussing this matter - read it here http://www.guardian.co.uk/stage/theatreblog/2010/feb/23/arts-unpaid-interns-exploitation

brat1

Just at the time when I am beginning to read articles of things looking up and illustrators might start to get paid what they deserve, I am upset to see last week’s episode of Dragons’ Den air with young and vibrant company Brat and Suzie trying to get an investment for their fashion label business which sells illustrated garments; mostly t-shirts and jumpers.  They proclaim that it is good to only pay your illustrators as little as £20 per illustration.

Now this seems a little low considering the t0shirts they sell are mostly plain garments until these very cool and unique images have been added. Most of these t-shirts retail on the website at a much higher price than £20 meaning a great deal of profit can be made on these images. I cannot speak for the illustrators involved in this process, as I have not contacted them and they may well feel happy with their payment. In fact, a recent twitter post by Brat and Suzie seems to suggest that they are, however it is this kind of treatment and acceptance that has caused such a large problem in the first place with underpaid creative’s.

So I, like many others I have seen from social networks and blogs, didn’t appreciate this comment being made so flippantly on national TV; yet again high lighting the problems within the creative sector. After the broadcast, my partner was compelled to check Brat and Suzies website to see if anything had been discussed on the subject, it didn’t appear so. After asking on the comments page whether they still paid their illustrators £20 a comment that had been broadcast on TV this was promptly deleted from their site. He did however receive an email which explained that they believed they had been subject to possibly the worst kind of PR - poor TV editing - meaning they might have inadvertently alienated a large group of people who might be interested in buying their illustrated products - illustrators.

Here is the email correspondence form Poppy:

Thanks for taking the time to reply to me.  I’ve never been a customer of yours, however my girlfriend Kareen found your designs very appealing.  She is an illustrator (with a degree) and is currently stuck working at a large supermarket chain on minimum wage as nobody is interested in giving her a chance.

Seeing Brat and Suzie on Dragon’s Den absolutely disgusted me; it showed me how little companies value the time and effort illustrators put into their work.  I’ve witnessed Kareen building pieces from inception to finish and it is multitudes more than an hour’s work, plus materials on top of this.  I really do hope that you put some information on your blog or site that you pay significantly more than what was broadcast – the message from the TV show was “don’t send your work here” but that isn’t the case.  A quick search of social media sites shows I’m not the only one thinking this as a result of poor editing, it would seem a shame to lose a promising business to this.

Hi Jamie,

Thank you for e-mailing. We are going to improve how we work with our illustrators, looking at a larger payment or some kind of commission. We want to make sure what we pay if fairer and will be doing something about this.

We are not bad people and if you think we are exploiting illustrators then I’m sorry that we have come across this way – It’s not intention to take advantage of any of the talented people that work for us. Yes we did say on Dragons Den that we pay £20 an illustration but what was not put in the show was the bonuses we pay when sales are good and the other ways we try to help. Its a TV program as how things are edited to make us look is out of our hands.

I can see from their website, the owners of Brat and Suzie have contacted as many people they can who have questions regarding this matter and seem to be taking the best possible approach and I wish them both the best of luck with the continued success of their Company.

To see some more of Brat and Suzies designs visit http://www.bratandsuzie.com/

August 22nd, 2011

Illustration Friday- Influence

Here is this week entry to Illustration Fridays Blog.  This weeks theme is Influence, I have chosen to show the influence of hypnotism upon another person. Whether hypnotism really works is open for discussion but I think that it mostly relies on a mind which is open to suggestion, these suggestions can then be carried on subconsciously allowing hypnotism to help people to give up addictions such as smoking.

hypno1

June 6th, 2011

Illustration Friday-Shadows

This weeks entry is shadows, a quick sketch I did on the train…

shadow

June 6th, 2011

Royal Academy No, British Museum Yes

Okay so my work wasn’t excepted into the Royal Academy’s Summer Exhibition this year but that’s ok as this weekend I went with my boyfriend to London for the day to enjoy the gorgeous weather and collect my work back. I did however feel a bit sad that due to a booked holiday next week this was the only time we could both go and collect work which meant We were unable to visit the show as it begins on the 7th June. I hope to make it back to London before the end of the exhibition to see the wonderful works on display.

During the visit we went to the British museum. I absolutely love the entrance hall of this museum and think it worth avisit for this alone but we went to see some of the amazing collection that was on display.

Some of my favourite items on display are from the ancient Greeks especially the pottery, and the coinage and jewellery. I also highly recommend the Out Of Australia drawings and print display which had a great mix of artists on display. http://www.britishmuseum.org/whats_on/exhibitions/australian_season/out_of_australia.aspx

Here are a few quick sketches I did whilst there.

mus2
mus1

April 6th, 2011

Olympus Pen EE Half Frame

I had been looking around for a half frame camera for a while and had noticed they were selling for a lot online and in my local camera shop, luckily my dad spotted one in the good old Friday Ad at a very reasonable price and went to pick it up for me. The gentleman who sold it to my dad had purchased it for the exact same reason as me…to have a PLAY with. He said he had used it a few times and it was in mint condition, even the light meter worked correctly and there was no light leakages, which is more than can be said for many I had seen on sale.

Olympus_Pen_EE

The camera is in great condition and is lovely to carry around if a little heavy compared to my compact digital!! but I felt just like a photographer and couldn’t wait for the film to be finished so I could retreive the prints back from the mini lab so I could see if the camera was in good working condition.

I took the camera with me on a four day break to Dorset thinking what better way to get some nice pictures, and here are the results…pic3pic2

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